Organizing a percussion section, where every work recquires a different number of percussionists, different instruments, asigning parts to musicians…, is a hard task. This involves the principal (who asigns parts, determines which instruments are to be used, where to set them up…), the stage mannager (who is in charge of the logistics), the personnel mannager (who contracts the extra percussionists needed), the artistic comitee and the music director (in charge of deciding the works to be played during the season).
All this hard work was done by the orchestras themselves, as there was not a global archive with all the repertory specifying the distribution of parts, number of extras needed, what instruments to use, if they can be shared among musicians… It was back in 2004 that Percussion Orchestrations landed on the internet filling that gap.
© Percussion Orchestrations |
© Percussion Orchestrations |
I was in charge of translating the web into Spanish, and I´d like to thank Ed Cervenka (founder of Percussion Orchestrations) for the confidence he put on me to make this project possible.
© Percussion Orchestrations |
…et in Arcadia ego.
© David Valdés
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